Copy-Edit: "Covenant"

Not much has happened over the past few weeks, hence the lack of posts since the middle of December. The holiday period intervened, obviously, but also I've been working away on the first draft of my second novel, "Elixir".

However, yesterday the copy-edited version of Covenant arrived. It's quite exciting to see how another professional editor views the work. The document is peppered with seemingly small but on reflection very astute observations, where the editor has recognised that I've used a particular word twice in two pages, or that a character has accquired a small piece of information twenty pages before they could possibly have. None of the adjustments required are at all labour intensive, usually requiring either deletion or a simple tweak to make everything fit together seamlessly.

It's been an understanding of mine that many authors ( at least in the past ) have resisted with some effort the work of editorial teams and their advice. Many, apparently, have not achieved new contracts, or have seen 'uneven' sales due to their reluctance to alter details in their work. I fail to understand why they do not see the advantages of following editorial advice: my novel was, if I blow my own trumpet, pretty good as it was, and both my editor and agent stated so. But it's so much better now for all of the tiny tweaks, the polishing of each and every page, and I've even identified one or two little bad 'habits' of mine as a writer that I can watch out for in future work, thus making the next editorial easier for all.

My advice; take all editorial notes, and act on them. Throw yourself into it and put aside any pretence that you're already an 'experienced' author. Everyone's work can be improved, and the better it gets, the more an audience will enjoy it. And that means they'll buy your next great best-seller!

Snowed in!

Like most of the country I awoke this morning to find myself surrounded by about a foot of the white stuff. Once upon a time this would have meant no work and much rejoicing, but as I now work from home.....

I completed the general edit of Covenant a couple of weeks ago, and since them my editor at Simon & Schuster, Maxine Hitchcock, has been hard at work on the 'line-edit'. This second round of editorials is a fine tuning of the manuscript, the final polishing where Maxine makes suggestions on the macro scale. Would character 'X' really say something like that? Would they actually do something like that? Does this line need to be in the narrative or can it be cut out? Is there a spot too much exposition here, too little there? And so on. This final run-through irons out any remaining questions that might 'jolt' a reader as they travel through the story, ensuring that everything within the narrative runs smoothly.

I imagine that it will take me at least a couple of weeks to run through this edit, returning the manuscript to Maxine before Christmas. In the New Year, the MS will then be sent to the copy-editor, who has purposefully not yet read the novel. It will be their job to identify technical errors, should there be any, things like time distortions, character's appearances changing and so on.

Meanwhile, in the background book two is taking shape, with opening chapters already in place. Despite the snow outside, I'm enjoying the work too much to go out and play!!